A majestic red tent marks the beginning of the new season at NTGent.

An intense listening experience for 12 visitors under the motto: 'Who grows old only has himself to blame'.

BERLIN fuses various worlds and realities on stage in True Copy, highlighting both the pain points of the art world and the universal story of one man struggling to hold his own amid a web of lies - or are they variations on the truth?

A majestic red tent marks the beginning of the new season at NTGent.

"It's like trying to explain grief to tears."

An intense listening experience for 12 visitors under the motto: 'Who grows old only has himself to blame'.

BERLIN fuses various worlds and realities on stage in True Copy, highlighting both the pain points of the art world and the universal story of one man struggling to hold his own amid a web of lies - or are they variations on the truth?

A majestic red tent marks the beginning of the new season at NTGent.

"It's like trying to explain grief to tears."

An intense listening experience for 12 visitors under the motto: 'Who grows old only has himself to blame'.

BERLIN fuses various worlds and realities on stage in True Copy, highlighting both the pain points of the art world and the universal story of one man struggling to hold his own amid a web of lies - or are they variations on the truth?

A majestic red tent marks the beginning of the new season at NTGent.

An intense listening experience for 12 visitors under the motto: 'Who grows old only has himself to blame'.

"It's like trying to explain grief to tears."

"It's like trying to explain grief to tears."

"It's like trying to explain grief to tears."

"It's like trying to explain grief to tears."

An intense listening experience for 12 visitors under the motto: 'Who grows old only has himself to blame'.

The making of Berlin  reveals the extraordinary story of Friedrich Mohr, a Berliner who worked at the Berliner Philharmoniker during WWII.

An intense listening experience for 12 visitors under the motto: 'Who grows old only has himself to blame'.

An intense listening experience for 12 visitors under the motto: 'Who grows old only has himself to blame'.

The making of Berlin  reveals the extraordinary story of Friedrich Mohr, a Berliner who worked at the Berliner Philharmoniker during WWII.

FC Bergman's latest theatre venture draws inspiration from Hesiodos, intertwining ancient wisdom with contemporary questions on nature's cycles.

FC Bergman's latest theatre venture draws inspiration from Hesiodos, intertwining ancient wisdom with contemporary questions on nature's cycles.

"An unbearable masterpiece, gruesemoly efficient theatre"

"An unbearable masterpiece, gruesemoly efficient theatre"

"An unbearable masterpiece, gruesemoly efficient theatre"

The successor to the acclaimed ‘Gruis / aan de twijfel’, this time based on the oeuvre of American novelist Don DeLillo.

The successor to the acclaimed ‘Gruis / aan de twijfel’, this time based on the oeuvre of American novelist Don DeLillo.

The successor to the acclaimed ‘Gruis / aan de twijfel’, this time based on the oeuvre of American novelist Don DeLillo.

The successor to the acclaimed ‘Gruis / aan de twijfel’, this time based on the oeuvre of American novelist Don DeLillo.